Interviews

August 20, 2013

Kiyoshi Kurosawa

picture: Kiyoshi Kurosawa

"The producer would say, 'If Kurosawa is directing the film, never mind the jingi.'"

February 16, 2013

Katsuya Tomita & Toranosuke Aizawa

picture: Katsuya Tomita & Toranosuke Aizawa

"In Japan you hardly ever see films or television programmes that deal with the fact that there are so many immigrants."

December 5, 2012

Yutaka Tsuchiya

picture: Yutaka Tsuchiya

"Whether you are an important person or poor, left-leaning or right-leaning, what is important is what you click on."

September 3, 2012

Masao Kobayashi

picture: Masao Kobayashi

Masao Kobayashi recounts his adventures as a Japanese producer in North Korea for the film Somi - The Taekwon-do Woman. By Johannes Schönherr.

January 20, 2011

Shinya Tsukamoto

picture: Shinya Tsukamoto

"When I make a Tetsuo movie I don't shoot it in one month. I need to dedicate enough time to the production, and I cannot give up that style."

December 13, 2010

Yoshishige Yoshida

picture: Yoshishige Yoshida

"For me youth is necessarily a destructive force. The idea that youth is a splendid thing, as they show in commercials, is merely an illusion."

Gen Takahashi

picture: Gen Takahashi

"The question is why the police in Japan don't stop their illegal activities. It's because the people are docile."

September 30, 2010

Takahiko Iimura

picture: Takahiko Iimura

"If a film said 'This is Takahiko Iimura' the image will be limited by an image of myself, but if a film said 'This is not Takahiko Iimura' the possibilities are limitless."

June 1, 2010

Yoichi Sai

picture: Yoichi Sai

"It wasn't like I wanted to make films or wanted to surround myself in a filmmaking environment. I was simply told, 'Here's a job for you. Take it.'"

April 22, 2010

Susumu Hani

picture: Susumu Hani

"I am interested only in the inside of people."

March 29, 2010

Momoko Ando

picture: Momoko Ando

"What I believe in most is the power of people's imagination to fill in what isn't there."

January 25, 2010

Tokachi Tsuchiya

picture: Tokachi Tsuchiya

"I was a bit worried the yakuza were going to turn up at the theatre when we first started screening the film in Tokyo."

December 22, 2009

Shozin Fukui

picture: Shozin Fukui

"It was very rare that somebody would make movies in such an extreme way. "

August 25, 2009

Yuki Tanada

picture: Yuki Tanada

"I want to be known as a filmmaker, not a woman filmmaker."

June 2, 2009

Ian Buruma

picture: Ian Buruma

"The idea of racial harmony was part of Japanese propaganda, not a reflection of reality."

April 23, 2009

Michael Arias

picture: Michael Arias

"I like working as part of a large group. That's one of the aspects of filmmaking that makes it unique among all the visual arts: the fact that you have a crew of a hundred people all working toward one work of art."

March 27, 2009

Masanobu Ando

picture: Masanobu Ando

"In Japan, filmmakers are so preoccupied with getting the job done that they can never relax on the set."

February 5, 2009

Inuhiko Yomota

picture: Inuhiko Yomota

"I take a clear distance from Hollywood. This alone puts me at a completely different starting point from most Japanese critics today."

August 22, 2008

Yoshihiko Matsui

picture: Yoshihiko Matsui

"My movies always cause strong arguments between those for and against."

June 17, 2008

Kenji Murakami

picture: Kenji Murakami

"Most of the older filmmakers were all angry with me for making such a personal documentary. They want me to be more political."

March 16, 2008

Kaori Momoi

picture: Kaori Momoi

"There are no taboos for me; just rules to be broken."

December 4, 2007

Koji Wakamatsu

picture: Koji Wakamatsu

"A true filmmaker doesn't make films from the point of view of those in power. To me, that's a fundamental rule: you have to make films from the perspective of the weak."

August 21, 2007

Masao Adachi

picture: Masao Adachi

"I try to explore the meaning of the words 'terrorism' and 'terrorist'. After 9/11, one of their original implied meanings - 'against the ruling power' - has become corrupted. In my film I refer to the original derivations of the word as it was first used during the French Revolution."

July 1, 2007

Kazuhiro Soda

picture: Kazuhiro Soda

"When I come back to Japan I feel like a foreigner. Almost everything looks fascinating to me."

May 14, 2007

Hiromasa Hirosue

picture: Hiromasa Hirosue

"If we find people that will allow us to do 100% what we want to do, of course I wouldn't mind making a commercial film. But otherwise I will just stick with the independent films."

March 7, 2007

Nobuhiro Yamashita

picture: Nobuhiro Yamashita

"In Osaka everybody called me Nobu on the set, but in Tokyo I am 'Mr. Director'."

January 16, 2007

Rinko Kikuchi

picture: Rinko Kikuchi

"There isn't really a system of auditions in Japan. That's why there's a lot of typecasting going on."

December 29, 2006

Katsuhiro Otomo

picture: Katsuhiro Otomo

"I don't mind if somebody else adapts one of my manga. I don't like repeating myself, and I feel that adapting my own manga is essentially repeating something I've already done once before."

November 20, 2006

Satoshi Kon

picture: Satoshi Kon

"I don't feel I'm a representative of Japan at all, nor that I'm representing myself. I represent the film and the staff of 100 or 200 people behind it."

October 13, 2006

Takashi Yamazaki

picture: Takashi Yamazaki

"Always isn't really about the past, but the future. People need to take control of their lives. I want people to do that. I made the film for those reasons."

September 13, 2006

Noriyoshi Ikeya

picture: Noriyoshi Ikeya

"There is one type of set designer that builds the set according to the director's wishes. But that's not my way. I'm interested in an exchange of ideas between me and the director."

June 8, 2006

Shunichi Nagasaki

picture: Shunichi Nagasaki

"I've told myself that it would be good to do these genre movies the way the producer wants and then I would have a lot of work, but somehow I always deviate from that."

May 3, 2006

Kankuro Kudo

picture: Kankuro Kudo

"I like to confuse the audience: they're laughing one moment and then the next they suddenly need to get serious. I like to keep them on their toes and not give them any chance to get bored."

March 7, 2006

Eiko Tanaka

picture: Eiko Tanaka

"We're an animation company and we're really interested in putting out anything that falls into the category of animation. We'll do anything that we think sounds interesting."

January 22, 2006

Yoshinori Chiba

picture: Yoshinori Chiba

"Out of all the V-cinema movies that were made in the 1990s, 80 percent were junk."

December 20, 2005

Norio Tsuruta

picture: Norio Tsuruta

"When I saw Ring, I thought 'This looks exactly like what I've been doing!'"

November 22, 2005

Kohei Oguri

picture: Kohei Oguri

"There is no human emotion left in the image that we see of Japan today."

October 24, 2005

Shinji Aoyama

picture: Shinji Aoyama

"I want to make a comedy, but it never happens. I wonder if there's something in me that's stopping this?"

September 21, 2005

Kunihiko Tomioka

picture: Kunihiko Tomioka

"The idea is to encourage these new young filmmakers with the same chance to direct their first works as I did with Yamashita and Kumakiri."

August 25, 2005

Jo Shishido & Toshio Masuda

picture: Jo Shishido & Toshio Masuda

"The people who went to see Toei films liked yakuza movies, but people who went to see Nikkatsu films came for the drama."

July 25, 2005

Lee Sang-il

picture: Lee Sang-il

"I learned filmmaking from analysing my favourite directors. I don't feel I learned all that much at film school."

June 15, 2005

Sogo Ishii

picture: Sogo Ishii

"To get the aggression across on screen I really had to get in there and be really energetic in my use of the camera. My formula was that I had to be ten times as energetic in making the film than what I wanted to express on screen."

May 11, 2005

Go Shibata

picture: Go Shibata

"Wouldn't it be interesting to see a film about a handicapped killer?"

April 12, 2005

Ryuichi Hiroki

picture: Ryuichi Hiroki

"Most people can't go to pink theatres, for various reasons, so I wanted to do things the other way round - to bring pink film to the people."

March 6, 2005

Shinji Aramaki

picture: Shinji Aramaki

"I believe that Appleseed is spiritually in line with anime in general. It is, in a sense, a new type of animation."

January 28, 2005

Teruo Ishii

picture: Teruo Ishii

"When people refer to filmmaking as my job I'm always a bit embarrassed, because I don't consider what I do as anything more than having a great time."

November 29, 2004

Kihachiro Kawamoto

picture: Kihachiro Kawamoto

"There's no such thing as doll animation."

November 1, 2004

Makoto Shinozaki

picture: Makoto Shinozaki

"We wanted to see if Shinji Aoyama could make a funny movie!"

September 23, 2004

Mamoru Oshii

picture: Mamoru Oshii

"My goal is to always make a new movie that nobody has ever seen before. I think I've proven that with Innocence."

August 4, 2004

Katsuhito Ishii

picture: Katsuhito Ishii

"I felt it would be nice to make a family story in which no big tragic moments happen."

June 28, 2004

Hirokazu Kore-eda

picture: Hirokazu Kore-eda

"I used to think that documentary-style filmmaking was impossible in fiction because everything is already set down in the screenplay and the storyboards."

May 17, 2004

Ryuhei Kitamura

picture: Ryuhei Kitamura

"I'll do whatever it takes to make my films. That's the difference between me and other directors."

April 15, 2004

Tomorowo Taguchi

picture: Tomorowo Taguchi

"What my films have in common is that they are all very strange."

March 10, 2004

Nobuhiro Yamashita

picture: Nobuhiro Yamashita

"It's the people who are different from the norm who interest me, and especially if they don't realise that they are different."

February 16, 2004

Yudai Yamaguchi

picture: Yudai Yamaguchi

"I wanted to see people saying 'This is just too silly! It can't happen!'"

December 8, 2003

Donald Richie

picture: Donald Richie

"I've been married to Japan for a long time."

November 5, 2003

Takeshi Kitano

picture: Takeshi Kitano

"It's a bit like a gourmet chef with a very classy restaurant but no customers, who is asked to cook cheaper, more popular food and suddenly sees people lining up to eat."

October 6, 2003

Kitaro Kosaka

picture: Kitaro Kosaka

"I find it very admirable if people show the strength to try and achieve something, regardless of whether they succeed or not. But this spirit is something that I feel is missing in the attitude of today's Japanese people."

August 20, 2003

Kiyoshi Kurosawa

picture: Kiyoshi Kurosawa

"I consciously tried to make a non-genre film, but I knew that perceptive viewers would clearly recognise it as a monster movie."

July 1, 2003

Yusuke Iseya & Takamasa Kameishi

picture: Yusuke Iseya & Takamasa Kameishi

"We are responsibly irresponsible."

April 23, 2003

Takahisa Zeze

picture: Takahisa Zeze

"Young women in Japan are a lot more open about sex these days. There are a lot more scenes in pink films now that show the women on top of the guys."

March 10, 2003

Tomoyuki Furumaya

picture: Tomoyuki Furumaya

"If I told you that I wanted to make a film but couldn't, that would sound better. But actually I didn't have any intention of making a film."

October 23, 2002

Shinya Tsukamoto

picture: Shinya Tsukamoto

"I always wanted to make a film in which every image is infused with eroticism. A totally erotic film. Even Tetsuo I made with that idea in mind."

September 9, 2002

Yutaka Tsuchiya & Karin Amamiya

picture: Yutaka Tsuchiya & Karin Amamiya

"If society is stagnant, you should take action yourself and deal with that stagnancy as an issue."

August 13, 2002

Katsuyuki Motohiro

picture: Katsuyuki Motohiro

"For me it was important from the start to make commercial films, films for big audiences."

June 24, 2002

Tadanobu Asano

picture: Tadanobu Asano

"I think my life would be no fun at all if I just had to act."

May 23, 2002

Ryosuke Hashiguchi

picture: Ryosuke Hashiguchi

"My mother still thinks that I will grow breasts one day."

April 22, 2002

Shunichi Nagasaki

picture: Shunichi Nagasaki

"When I explained to the actors what their characters were about, I didn't tell them they would become lovers in the end."

March 18, 2002

Kazushi Watanabe

picture: Kazushi Watanabe

"By playing the lead role as well as directing I could get paid more."

February 11, 2002

Satoshi Kon

picture: Satoshi Kon

"Female characters are easier to write. With a male character I can only see the bad aspects. Because I am a man I know very well what a male character is thinking."

January 7, 2002

Hayao Miyazaki

picture: Hayao Miyazaki

"I’m not a storyteller, I’m a man who draws pictures."

November 21, 2001

Akihiko Shiota

picture: Akihiko Shiota

"If you want to describe the problems of Japanese society today, teenagers are a fitting symbol. It's always them who are confronted with those problems."

October 11, 2001

Seijun Suzuki

picture: Seijun Suzuki

"In my films, time and place are nonsense."

September 21, 2001

John Williams

picture: John Williams

"There are plenty of interesting stories to be told about everyday people in ordinary situations. Where are the filmmakers who want to do this? Where are the Mike Leighs and Ken Loachs of Japan?"

August 15, 2001

Masato Harada

picture: Masato Harada

"What we need in Japan right now, in every sense, is taboo breakers."

July 24, 2001

Sogo Ishii

picture: Sogo Ishii

"Everyone in Japan just complained that they didn't understand my films."

July 3, 2001

Kazuyoshi Kumakiri

picture: Kazuyoshi Kumakiri

"I liberated my own desires for violence and tried to open the inside of my mind to let out all the poison. And it's all there in the film."

May 1, 2001

Takashi Miike

picture: Takashi Miike

"I'd like to throw away the idea of having to shoot a certain way for it to end up as a real film."

April 9, 2001

Kinji Fukasaku

picture: Kinji Fukasaku

"I am fully aware that there is a generation gap between where I stand and where those kids stand."

March 20, 2001

Makoto Shinozaki

picture: Makoto Shinozaki

"In a way film may be the most limiting medium of all."

Kiyoshi Kurosawa

picture: Kiyoshi Kurosawa

"If you only make one film a year in Japan, it's very difficult to stay alive."